What To Watch: October 10


9/8c – Arrow – CW – Series Premiere. After a violent shipwreck, billionaire playboy Oliver Queen (Stephen Amell; Hung, Private Practice) was missing and presumed dead for five years before being discovered alive on a remote island in the Pacific. Back in Starling City, Oliver slowly reconnects with those closest to him, his devoted mother Moira (Susanna Thompson; Cold Case, Kings), beloved sister Thea (Willa Holland; Gossip Girl, The O.C.), and best friend Tommy Merlyn (Colin Donnell; Pan Am), but struggles with his ex-girlfriend Dinah “Laurel” Lance (Katie Cassidy; Gossip Girl, Melrose Place), who blames him for her sister’s death. Oliver has brought back many new skills from his time on the island and despite the watchful eye of his new bodyguard John Diggle (David Ramsey; Dexter, Blue Bloods), Oliver manages to secretly create the persona of Arrow – a vigilante – to right the wrongs of his family and fight the ills of society. As Arrow, Oliver will atone for the past sins of his family while he searches for the personal redemption he needs.

10/9c – Chicago Fire – NBC – Series Premiere. When a fire claims one of their own, there’s plenty of guilt and blame to go around. Lt. Matthew Casey (Jesse Spencer; House), in charge of the Truck, tries to carry on, but butts heads with the brash Lt. Kelly Severide (Taylor Kinney; The Vampire Diaires) of the Rescue Squad – and each blames the other for their fallen team member. Adding to the turmoil, Casey, unbeknownst to his colleagues, is in the midst of a separation from Hallie (Teri Reeves, Three Rivers).

10/9c – Nashville – ABC – Series Premiere. Chart-topping Rayna James (Connie Britton; Friday Night Lights, American Horror Story) is a country legend who’s had a career any singer would envy, though lately her popularity is starting to wane. Fans still line up to get her autograph, but she’s not packing the arenas like she used to. Rayna’s record label thinks a concert tour, opening for up-and-comer Juliette Barnes (Hayden Panettiere; Heroes, Guiding Light), the young and sexy future of country music, is just what Rayna needs. But scheming Juliette can’t wait to steal Rayna’s spotlight. Sharing a stage with that disrespectful, untalented, little vixen is the last thing Rayna wants to do, which sets up a power struggle for popularity.

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